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Monday, 17 June 2019
08:30
09:30
Check in - Load your presentation at central point
09:30
13:00
Parallel workshops, screenings and exhibitions
Room G.0.1.2 /G0.3/G0.4
Compost Cinema: Rhythm, Texture and Light in Contact Film Animation by Vicky Smith
14:00
16:40
Pre-conference - Portuguese Research panel 1
Agostinho Silva Auditorium
Marina Estela Graça
(SAS2019-10927) - CONTRIBUTIONS TO THE HISTORY OF ANIMATION EDUCATION IN PORTUGAL: THE CASE OF THE UNIVERSITY OF ALGARVE
Marina Estela Graça (Portugal)1,2
1 - Center of Research in Arts and Communication (CIAC); 2 - University of Algarve (UAlg)
Ana Paula Caruso
(SAS2019-11101) - HOW 2D ANIMATION HELPS CHILDREN LEARN TO CREATE STORIES USING A TANGIBLE USER INTERFACE
Ana Paula Caruso (Portugal)1; Paula Tavares (Portugal)1; Cristina Sylla (Portugal)2
1 - Instituto Politécnico do Cávado e do Ave; 2 - Universidade do Minho
Catarina Gil
(SAS2019-11080) - SOCIO-POLITICAL PERSPECTIVES ON PORTUGUESE ANIMATION CINEMA
Catarina Gil (Portugal)1
1 - Faculdade de Ciências Sociais e Humanas da Universidade NOVA de Lisboa
Diogo Da Fonseca
(SAS2019-11044) - ANIMATION AS A TOOL OF RESISTANCE
Diogo Da Fonseca (Brazil)1
1 - Universidade Lusófona
15:45
16:40
Pre-conference - Portuguese Research panel 2
Agostinho Silva Auditorium
Fernando Galrito
(SAS2019-11077) - THE RITUAL IN THE PORTUGUESE ANIMATION
Fernando Galrito (Portugal)1
Cynthia Levitan Levitan
(SAS2019-11097) - INANIMATE LOVE: THE PUPPET AS AN OBJECT OF AFFECTION INSIDE THE PRODUCTION OF A MOVIE.
Cynthia Levitan Levitan (Portugal)1,2
1 - I2ADS; 2 - Universidade do Porto
Miguel Pires De Matos
(SAS2019-11033) - 4 STATES OF MATTER - CREATIVE PROCESS
Miguel Pires De Matos (Portugal)1
17:00
Uncle Thomas, Accounting for the days
Agostinho Silva Auditorium
The award-winning director of Tragic Story with Happy Endinds presents the work process behind her very personal and moving latest short film , Uncle Thomas, Accounting for the days
19:00
Sonic landscapes and spatial constructions
Cinemateca
PUNTO Y RAYA’s co-director will discuss and take us on a ride through her "Sonic landscapes and spatial constructions", complemented by a selection of her festival’s best+wonderful short films.
21:00
Installations and exhibitions private view
Convento São Pedro de Alcântara
Welcoming drinks and light buffet
Tuesday, 18 June 2019
08:30
09:30
Check in - Load your presentation at central point
09:30
10:30
Keynote presentation - Animation is a place: near and far
Agostinho Silva Auditorium
11:20
12:40
Panel 1
Agostinho Silva Auditorium
11:20
12:40
Session 1A
Agostinho Silva Auditorium
Brian Bergstrom
(SAS2019-11028) - TOPOLOGIES OF JAPANESE PORNOGRAPHIC ANIMATION AND ITS INTERNATIONAL RECEPTION
Brian Bergstrom (Canada)1; Edmond (Edo) Ernest Dit Alban (France)2; Aurélie Petit (France)3
1 - McGill University; 2 - Paris Saint-Denis (Paris) and Concordia University (Montréal); 3 - Concordia University
- Edmond Ernest Dit Alban
11:20
11:20
Session 1B
Room S.09
Ana Carolina Benalcázar
(SAS2019-11102) - FEMALE SEXUALITY AND THE ‘VOCALIC BODIES’ OF NEVER LIKE THE FIRST TIME!, LE CLITORIS, AND PRIVATE PARTS
Ana Carolina Benalcázar (Ecuador)1
1 - Mel Hoppenheim School of Cinema, Concordia University
Pearce Sally
(SAS2019-10984) - SUBVERSIVELY CLAUSTROPHOBIC SPACES IN WOMAN’S ANIMATED AUTOBIOGRAPHY.
Pearce Sally (United Kingdom)1
1 - WOLVERHAMPTON UNIVERSITY
Yvonne Hennessy
(SAS2019-11066) - IRISH WOMEN MODERNISTS AND ANIMATION PRACTICE AS A RECLAMATION OF CULTURAL AND ARTISTIC SPACE
Yvonne Hennessy (Ireland)1
1 - Galway-Mayo Institute of Technology
Mercedes Álvarez San Román
(SAS2019-11005) - FROM REGIONAL TO TRANSNATIONAL: THE IMPACT OF RECENT SPANISH HISTORY ON FEMALE ANIMATED BODIES
Mercedes Álvarez San Román (France)1
1 - Sorbonne Université
11:20
12:40
Session 1C
Room S.10
Sandra Denicke-Polcher
(SAS2019-10880) - RETHINKING THE VERNACULAR: TRANSDISCIPLINARY DESIGN THINKING IN ANIMATION & ARCHITECTURE
Mark Collington (United Kingdom)1; Sandra Denicke-Polcher (United Kingdom)2
1 - Arts University Bournemouth; 2 - London Metropolitan University
Dan Bashara
(SAS2019-11049) - THE CHROMATIC PLAYHOUSE: COLOR FIELDS IN POSTWAR AMERICAN ANIMATION AND ARCHITECTURE
Dan Bashara (United States of America)1
1 - DePaul University
Inês Andrade Marques
(SAS2019-11057) - ANIMATION AND SOCIAL HOUSING, AN EXPERIMENT INSIDE SIX HOUSING TOWERS IN LISBON, 1959
Inês Andrade Marques (Portugal)1
1 - Universidade Lusófona de Humanidades e Tecnologias - Hei-Lab
11:20
12:40
Session 1D
Room S.11
Ekin Pinar
(SAS2019-10922) - THE PLACE OF CUT-OUT ANIMATION: LARRY JORDAN’S SURREAL VICTORIAN SETTINGS
Ekin Pinar (Turkey)1
1 - Middle East Technical University
Lea Vidakovic
(SAS2019-11022) - HANDWOVEN TALES IN CONTEMPORARY CONTEXT: THE TRANSFORMATION AND TRANSPOSITION OF TRADITIONAL ANIMATION TECHNIQUES TO ENVIRONMENTS BEYOND THE SCREEN
Lea Vidakovic (Singapore)1
Jack Mcgrath
(SAS2019-11093) - EXPLORING THE PHYSICALITY OF THE CINEMATIC SPACE THROUGH MINIATURES
Jack Mcgrath (Australia)1; Andrew Robards (Australia)2
1 - The University of Technology Sydney; 2 - The University of Sydney
Aristofanis Soulikias
(SAS2019-11012) - INSISTING ON THE HANDMADE: TANGIBLE ANIMATION FOR THE INTANGIBLE CITY
Aristofanis Soulikias (Canada)1
1 - Concordia University
13:00
14:00
Lunch provided for fully paying delegates
14:00
15:20
Session 2A
Agostinho Silva Auditorium
María Lorenzo
(SAS2019-10947) - DOCUMENTARY ANIMATION AND POLITICAL MEMORY OF THE 20TH CENTURY
Javier Moral (Spain)1; Sara Alvarez (Spain)1; María Lorenzo (Spain)1
1 - Universitat Politècnica de València
Jana Rogoff
(SAS2019-10705) - "THE BUTTERFLIES DO NOT LIVE HERE. AN EARLY EXAMPLE OF ANIMATED DOCUMENTARY ON THE HOLOCAUST."
Jana Rogoff (Czech Republic)1
1 - Humboldt-Universität zu Berlin
- María Lorenzo Hernández
14:00
15:20
Session 2B
Room S.09
Franziska Bruckner
(SAS2019-11035) - VIRTUAL HYBRID SPACES. NOTES ON COMBINATIONS OF LIVE-ACTION AND ANIMATION WITHIN VIRTUAL REALITY ENVIRONMENTS
Franziska Bruckner (Austria)1
1 - St. Poelten University of Applied Sciences
Miriam Harris
(SAS2019-10992) - DIGITAL REFLEXIVITY
Miriam Harris (New Zealand)1
1 - Auckland University of Technology, New Zealand
Paul Dolan
(SAS2019-11019) - FROM SILICON TO PIXEL: EXPLORING THE MATERIAL ORIGINS OF THE SIMULATED IMAGE.
Paul Dolan (United Kingdom)1
1 - Northumbria University
Rall Hannes
(SAS2019-10963) - A NEW PLACE FOR ANIMATED STORYTELLING: ADAPTING MAJOR SHAKESPEARE TEXTS FOR VR
Rall Hannes (Singapore)1
1 - Assoc. Prof. Nanyang Technological University Singapore
14:00
15:20
Session 2C
Room S.10
Nichola Dobson
(SAS2019-10969) - “SCROOGIN ON A GREG”: THE ABSURD IN SCOTTISH ANIMATED COMEDY
Nichola Dobson (United Kingdom)1
1 - Edinburgh College of Art, University of Edinburgh
Anitha Balachandran
(SAS2019-11030) - ARTISTIC PERSUASIONS: ANIMATION, PUBLIC AWARENESS AND THE INDIAN STATE
Anitha Balachandran (India)1
1 - Srishti Institute of Art, Design and Technology
Thomas Walsh
(SAS2019-10702) - THE TRANSFORMATION OF SPACE IN THE SECOND COMING
Thomas Walsh (United Kingdom)1
1 - Arts University Bournemouth
Marco Bellano
(SAS2019-11027) - SHADOWS, MUSIC, AND THEIR JOURNEYS. AN ANIMATED RECONSTRUCTION OF THE SHADOW PLAYS FROM THE CHAT NOIR TOURING THEATRE
Marco Bellano (Italy)1
1 - Department of Cultural Heritage, Università degli Studi di Padova (Italy)
14:00
15:20
Session 2D
Room S.11
Chris Pallant
(SAS2019-10981) - ANIMATION ARCHIVES ACROSS ENGLAND - PRESERVING PERSONAL STORIES, PRODUCTION HISTORY, AND CULTURAL HERITAGE
Chris Pallant (United Kingdom)1; Nigel Humberstone (United Kingdom)2; Steve Henderson (United Kingdom)3
1 - Canterbury Christ Church University; 2 - N/A; 3 - Manchester School of Art
15:45
17:00
Session 3A
Agostinho Silva Auditorium
Paul Ward
(SAS2019-10804) - AGAINST ENTREPRENEURIALISM? THINKING ABOUT HOW TO EFFECTIVELY TEACH ANIMATION IN THE CONTEMPORARY UNIVERSITY
Paul Ward (United Kingdom)1
1 - Arts University Bournemouth
Sandeep Ashwath
(SAS2019-10764) - CUBES ON A CARPET
Sandeep Ashwath (India)1
1 - Srishti Institute of Art, Design and Technology
Tony Tarantini
(SAS2019-10983) - TEACHING THE ILLUSION OF LIFE: THE FIRST FIFTY YEARS OF THE SHERIDAN ANIMATION PROGRAM
Tony Tarantini (Canada)1
1 - Sheridan College
Davide Benvenuti
(SAS2019-10931) - IPAD AS A DIGITAL SOLUTION FOR AN ADVANCED 2D ANIMATION CLASSROOM
Davide Benvenuti (Singapore)1
1 - Nanyang Technogical University ADM school of art design and media
15:45
17:00
Session 3B
Room S.09
Yijing Wang
(SAS2019-10938) - ETHNOGRAPHIC ANIMATION: PARTICIPATORY DESIGN WITH THE LONGHORN MIAO
Yijing Wang (United Kingdom)1
1 - Central Saint Martins, University of the Arts, London
Charles Da Costa
(SAS2019-10684) - BORN AGAIN: ‘SCAVENGER’ ANIMATION AND THE [RE]BIRTH OF ANIMATED CONSCIOUSNESS IN AFRICA
Charles Da Costa (Australia)1
1 - Queensland University of Technology,
Monireh Astani
(SAS2019-10957) - ANIMATION AND ITS CREATIVE LANGUAGE IN CULTURAL ADAPTATION
Monireh Astani (Ireland)1
1 - SAS Member
Lynn Tomlinson
(SAS2019-10951) - EXTENDING EMPATHY: IMAGINED PERSPECTIVES IN ANIMATION RESEARCH AND STORYTELLING
Lynn Tomlinson (United States of America)1
1 - Towson University
Kaho Yu
(SAS2019-11015) - THE LIBRARY, A NON-INTRUSIVE GAZE DIRECTED INTERACTIVE VR ANIMATION
Kaho Yu (Hong Kong)1
1 - City University of Hong Kong
Peter Chanthanakone
(SAS2019-10750) - COMMUNISM, STICKY RICE AND BAMBOO HUTS: ANIMATION IN LAOS
Peter Chanthanakone (Canada)1
1 - University of Iowa
Bernhard Schmitt
(SAS2019-10967) - OUT OF THE VIRTUAL REALM INTO REALITY. HOW 3D PRINTING BLURS THE LINES BETWEEN STOP MOTION AND CG ANIMATION
Bernhard Schmitt (Singapore)1
1 - Nanyang Technological University
15:45
17:00
Session 3D
Room S.11
Pierre Floquet
(SAS2019-10786) - TRENCH AESTHETICISM RE-VISITED: WHEN ANIMATION FILMS FRAME THE 'GREAT' WAR
Pierre Floquet (France)1
1 - BORDEAUX Institut National Polytechnique
Alys Scott-Hawkins
(SAS2019-11016) - DOCUMENTS OF GRIEF: AUTOETHNOGRAPHIC PROCESS IN MAKING ANIMATED DOCUMENTARY
Alys Scott-Hawkins (United Kingdom)1
1 - Independent researcher
Eric Herhuth
(SAS2019-11038) - ANIMATING CONSCIENCE: REPRESENTATIONS OF INNER CONFLICT IN ANIMATION
Eric Herhuth (United States of America)1
1 - Tulane University
Mary Smyth
(SAS2019-10737) - HOW CAN SHORT ANIMATED FILM BE USED AS A HEALING AND THERAPEUTIC TOOL FOR CHILDREN LIVING WITH FAMILIAL ADDICTION?
Mary Smyth (Ireland)1
15:45
17:00
5 mins presentations
Room G.08
Iria Cabrera Balbuena
(SAS2019-11067) - ANALYSIS OF CZECH STOP MOTION ANIMATION AS A NATIONAL IDENTITY
Iria Cabrera Balbuena (Portugal)1
1 - Escuela Superior Politécnica del Litoral
Samira Poffo
(SAS2019-11026) - THE LANDSCAPE OF INTRODUCTORY ANIMATION EDUCATION IN BRAZIL
Waleska Ruschel (Brazil)1; Samira Poffo (Brazil)1
Eva Wijers
(SAS2019-10696) - EMERSIVE STORYTELLING - AN EXPLORATION OF ANIMATION AND THE FOURTH WALL AS TOOLS FOR CRITICAL THINKING
Eva Wijers (Netherlands)1
Kirstin Hardin
(SAS2019-11084) - HAYAO MIYAZAKI: ENVIRONMENTALISM & ANIME
Kirstin Hardin (United States of America)1
1 - University of Central Florida
Sean Mccomber
(SAS2019-10993) - MONSTER DOCS
Sean Mccomber (United States of America)1
1 - The University of Texas at Dallas
Sergio Rodriguez Valdunciel
(SAS2019-11007) - COMBINED 2D ANIMATION IN NIKO AND THE SWORD OF LIGHT.
Sergio Rodriguez Valdunciel (Spain)1
1 - Universidad Politécnica de Valencia.
17:15
SIGS meetings
Afternoon drinks
19:00
Special Event - Retrospective of Portuguese animation with support from Agência da Curta Metragem.
Convento São Pedro de Alcântara
Inc: workshop films, presentation of Casa da Animação’s anual catalogue.
21:00
SAS Quiz night
Location to be announced
Wednesday, 19 June 2019
08:30
09:30
Check in - Load your presentation at central point
10:00
11:00
Keynote Presentation - Moving places in Space
Agostinho Silva Auditorium
11:20
12:40
Session 4A
Agostinho Silva Auditorium
Jason Cody Douglass
(SAS2019-10929) - SITES OF GENDERED CREATION IN AMERICAN AND JAPANESE ANIMATION, 1950S TO PRESENT
Jason Douglass (United States of America)1; Caitlin Casiello (United States of America)1; Mihaela Mihailova (United States of America)2
1 - Yale University; 2 - University of Michigan
Vanessa Cambier
(SAS2019-10708) - ANIMATING FEMINISM PAST AND PRESENT
Vanessa Cambier (United States of America)1
1 - University of Minnesota, Twin Cities
11:20
12:40
Session 4B
Room S.09
Christopher Holliday
(SAS2019-11023) - TRUMP IN WACKYLAND: HOLLYWOOD ANIMATION AS REAL ESTATE IN THE AGE OF CRUELTY
Christopher Holliday (United Kingdom)1
1 - King's College London
Dilara Bostan
(SAS2019-10933) - REMEMBERING THE NOSTALGIC ISTANBUL IN ANIMATION: CONSTRUCTION OF THE CULTURAL IDENTITY OF THE ISTANBULITE IN "RAFADAN TAYFA: DEHLIZ MACERASI"
Dilara Bostan (Turkey)1; Mesut Bostan (Turkey)1
1 - Marmara University Communication Faculty
Fatemeh Hosseini-Shakib
(SAS2019-11042) - REINVENTING TEHRAN AS THE SITE OF RESISTANCE, CONTEMPORANEITY AND YOUTH CULTURE IN IRANIAN INDEPENDENT ANIMATION
Fatemeh Hosseini-Shakib (Iran)1
1 - Assistant Prof. Tehran University of ARts
Naima Alam
(SAS2019-10949) - HOW VISUALS BRING US TOGETHER WHEN LANGUAGE SEPARATES US
Naima Alam (Germany)1
1 - Tuebingen University
11:20
12:40
Session 4C
Room S.10
Malcolm Cook
(SAS2019-10869) - MAGIC HIGHWAYS AND AUTOPIAS: DISNEY AND THE EXPANDED PLACE OF ANIMATED ADVERTISING
Malcolm Cook (United Kingdom)1
1 - University of Southampton
Ruth Richards
(SAS2019-10997) - ANIMATING IMAGINED COMMUNITIES: MELBOURNE’S CHRISTMAS WINDOWS
Ruth Richards (Australia)1
1 - RMIT University
John Power
(SAS2019-10987) - AMBIENT ANIMATION DISPLAYS AND PLACE MAKING IN PUBLIC SPACE
John Power (Australia)1
1 - RMIT University
11:20
12:40
Session 4D
Room S.11
Leila Honari
(SAS2019-11006) - OPTIC, HAPTIC AND KINETIC APPROACHES TO ANIMATION
Leila Honari (Australia)1; Michael Linhart (Australia)1; Zeynep Akcay (Australia)1
1 - Griffith Film School, Griffith University
13:00
14:00
Lunch provided for fully paying delegates
14:00
15:20
Session 5A
Agostinho Silva Auditorium
Martina Tritthart
(SAS2019-11048) - ANIMATED URBAN SURFACES - SPATIAL AUGMENTED REALITY IN PUBLIC DISCOURSE
Martina Tritthart (Austria)1,2
1 - University of applied science FH Joanneum; 2 - University of applied science FH Burgenland
Max Hattler
(SAS2019-10939) - ANIMATED HIGH-RISE ARCHITECTURE: SPACE, PLACE AND SYMBOLISM.
Max Hattler (Hong Kong)1; Alex Jukes (United Kingdom)3; Faiyaz Jafri (United States of America)2
1 - School of Creative Media, City University of Hong Kong; 2 - Parsons School of Design; 3 - Edge Hill University
14:00
15:20
Session 5B
Room S.09
Deborah Szapiro
(SAS2019-11086) - WAPOS BAY: NO MORE PIPE DREAMS.
Deborah Szapiro (Australia)1
1 - University of Technology Sydney
Jane Shadbolt
(SAS2019-10946) - CIGGY BUTT BRAIN: TOWARDS A NATIONAL SENSE OF PLACE IN AUSTRALIAN ANIMATION
Jane Shadbolt (Australia)1
1 - University of Newcastle, Australia
Marie-Josée Saint-Pierre
(SAS2019-10973) - FEMINISMS AND ANIMATION: FEMINIST DISCOURSE ANALYSIS OF QUEBEC ANIMATION FROM THE NATIONAL FILM BOARD OF CANADA (1970-1979).
Marie-Josée Saint-Pierre (Canada)1
1 - Filmmaker at MJSTP Films, teacher at Inter-Dec College and PhD student in Études et pratiques des arts (Université du Québec à Montréal)
Millie Young
(SAS2019-10752) - THE ELEPHANT IN THE ROOM
Millie Young (Thailand)1,2
1 - Mahidol University International College; 2 - Silpakorn University
14:00
15:20
Session 5C
Room S.10
Cristina Formenti
(SAS2019-10923) - THE ANIMATED DOCUMENTARY AND THE DIGITAL DOMAIN
Nea Ehrlich (Israel)1; Maike Sarah Reinerth (Germany)2; Belinda Oldford (Canada)3
1 - Ben Gurion University of the Negev; 2 - Film University Babelsberg KONRAD WOLF; 3 - Independent animation filmmaker
Julia Eckel
(SAS2019-11060) - ANIMATED / SPACES / DOCUMENTED / PLACES
Julia Eckel (Germany)1
1 - Ruhr-University Bochum
14:00
15:20
Session 5D
Room S.11
Alex Widdowson
(SAS2019-11098) - ANIMATING DOCUMENTARY MODES: NAVIGATING A THEORETICAL MODEL FOR ANIMATED DOCUMENTARY PRACTICE
Alex Widdowson (United Kingdom)1
1 - independent artist/researcher
Sandro Del Rosario
(SAS2019-10751) - “ANIMATION IS MY IDEAL PLACE” – A CLOSER LOOK AT SANDRO DEL ROSARIO’S EXPERIMENTAL ANIMATIONS.
Sandro Del Rosario (United States of America)1
Holger Lang
(SAS2019-11068) - AUTHENTICITY IN EXPERIMENTAL DOCUMENTARY ANIMATION. THE SIGNIFICANCE AND VALUE OF SUBJECTIVE ARTISTIC POSITIONS.
Holger Lang (Austria)1
1 - Webster University
Ellie Land
(SAS2019-11062) - WILLINGTON STREET - THE MEMORIES YOU LEAVE BEHIND
Ellie Land (United Kingdom)1
15:45
17:00
Session 6A
Agostinho Silva Auditorium
Joel Mckim
(SAS2019-11029) - DIGITAL FUTURES
Joel Mckim (United Kingdom)1; Lilly Husbands (United Kingdom)2; Aylish Wood (United Kingdom)3
1 - Birkbeck, University of London; 2 - Middlesex University; 3 - University of Kent
Juergen Hagler
(SAS2019-11034) - A CRITICAL REFLECTION ON COOPERATIVE ANIMATION IN MIXED REALITY SPACES
Juergen Hagler (Austria)1
1 - University of Applied Sciences Upper Austria, School of Informatics/Communications/Media
15:45
17:00
Session 6B
Room S.09
Eliane Gordeeff
(SAS2019-10959) - THE REPRESENTATION OF THE DIEGETIC IMAGINARIUM AS ANIMATION IN LIVE-ACTION CINEMA
Eliane Gordeeff (Portugal)1,2
1 - CIEBA - Faculdade de Belas-Artes da Universidade de Lisboa (Portugal) ; 2 - CNPq / Universidade Veiga de Almeida (Brazil)
Julia Bracegirdle
(SAS2019-10965) - THEORIES ON THE USE OF THEATRICAL ESOTROPIA IN ANIMATED CHARACTER DESIGN AND PERFORMANCE
Julia Bracegirdle (United Kingdom)1
1 - Bristol School of Animation, University of the West of England
Becka Barker
(SAS2019-11083) - INFINITE COLLECTIVE: HAND-DRAWN ANIMATION AS SOCIALLY-ENGAGED ART PRACTICE (WORKING TITLE)
Becka Barker (Canada)1
1 - NSCAD University (RPT Faculty)
Eliška Děcká
(SAS2019-11046) - WHEN YOU STOP ANIMATING: ANIMATION EXPERIENCE AND ITS LATER TRANSFERABILITY INTO OTHER CREATIVE AREAS
Eliška Děcká (Czech Republic)1
1 - Assistant Profesor
15:45
17:00
Session 6C
Room S.10
Gabrielle Dulys
(SAS2019-11090) - CROSS-CULTURALISM AND LOCAL SPECIFICITY UNDER THE LENS OF SEICHIJUNREI AND MAWARU PENGUINDRUM
Gabrielle Dulys (United States of America)1
1 - The University of Chicago
Samantha Moore
(SAS2019-10961) - ZUM GEMEINWOHL! (FOR THE COMMON GOOD!): ANIMATION EXPRESSING THE LOCAL IN THE GLOBAL
Samantha Moore (United Kingdom)1
1 - University of Wolverhampton
Oslavia Linares Martinez
(SAS2019-11065) - LATIN AMERICAN ONLINE ANIMATIONS: AN OVERVIEW AND REFLECTIONS ON ITS RESEARCH METHODS.
Oslavia Linares Martinez (Canada)1
1 - Concordia University, Mel Hoppenheim School of Cinema.
João Paulo Amaral Schlittler
(SAS2019-11024) - POST CULTURAL ANTHROPOPHAGY AND CONTEMPORARY BRAZILIAN ANIMATION
João Paulo Amaral Schlittler (Brazil)1
1 - Universidade de São Paulo
15:45
17:00
Session 6D
Room S.11
M Javad Khajavi
(SAS2019-10924) - CHANGE, MOVEMENT, AND THE FABRIC OF REALITY: ANIMATED IMAGE AS A NEW MODE OF INQUIRY IN SCIENTIFIC RESEARCH
M Javad Khajavi (Norway)1
1 - Volda University College
James Walker
(SAS2019-11070) - ANIMATION ARCHIVES: SITES OF KNOWLEDGE AND CONSERVATION
Aafke Weller (Netherlands)2; Mette Peters (Netherlands)2; James Walker (United Kingdom)1
1 - University for the Creative Arts; 2 - Eye Filmmuseum
Ron Barbagallo
(SAS2019-10943) - THE SHRINKING TRUTH ABOUT DISNEY PLASTIC
Ron Barbagallo (United States of America)1
17:15
17:30
Afternoon drinks
17:30
Special presentation Ed Hooks: Toward the Next Generation of Character-Driven, Narrative Animation
Agostinho Silva Auditorium
19:00
Special event
Cinemateca
Pianist Clare Hammond performs Ghosts and Whispers by the Quay Bros.
Thursday, 20 June 2019
08:30
09:30
Check in - Load your presentation at central point
09:30
11:00
Session 7A
Agostinho Silva Auditorium
Birgitta Hosea
(SAS2019-10785) - PARACINEMA AND THE DEMATERIALIZATION OF ANIMATION
Birgitta Hosea (United Kingdom)1
1 - University for the Creative Arts
Natalie Woolf
(SAS2019-10800) - MOVING THROUGH THE IMAGE: EXPANDED ANIMATION FOR A SHARED PHYSICAL UNDERSTANDING.
Natalie Woolf (Portugal)1; Carolina Martins (Portugal)2
1 - Universidade Lusófona; 2 - CLP | Universidade de Coimbra
Yanyun Chen
(SAS2019-10776) - ANIMATION IN SINGAPORE CONTEMPORARY ART: HILMI JOHANDI AND DAVE LIM
Yanyun Chen (Singapore)1
1 - Yale-NUS College
Alanna Thain Thain
(SAS2019-11061) - BODY, BREATH, BREAK: WILLIAM KENTRIDGE'S INTIMATE ECOLOGIES
Alanna Thain Thain (Canada)1
1 - McGill University
09:30
11:00
Session 7B
Room S.09
Michael Meindl
(SAS2019-10962) - THERE'S A TECHNOLOGICAL PLACE FOR US: ANIMATION, TECHNOLOGY, AND PLACE
Michael Meindl (United States of America)1,2; Gonzalo Parrilla (Spain)3; Maitane Junguitu (Spain)4; Gray Hodgkinson (Singapore)5
1 - Radford University; 2 - Virginia Tech; 3 - Universidad Complutense de Madrid; 4 - University of the Basque Country (UPV/EHU); 5 - Nanyang Technological University
- Gonzalo Parrilla Gallego
- Maitane Junguitu Dronda
09:30
11:00
Session 7C
Room S.10
Erwin Feyersinger
(SAS2019-11078) - MOVING MAPS: ANIMATION AND CARTOGRAPHY
Erwin Feyersinger (Germany)1
1 - University of Tübingen
Robby Gilbert
(SAS2019-10968) - A CARTOGRAPHY OF THE INVISIBLE INTERSTICE
Robby Gilbert (United States of America)1
1 - Assistant Professor, Animation. Northern Vermont University
Juan Llamas-Rodriguez
(SAS2019-10762) - ANIMATING THE BORDER UNDERGROUND
Juan Llamas-Rodriguez (United States of America)1
1 - University of Texas at Dallas
Elena Altheman
(SAS2019-10989) - ADVENTURE TIME'S OPENING TITLE SEQUENCE AND THE MOBILE MAP: ANALYZING MOVEMENT, WORLD-BUILDING, ACTIVE SPECTATORSHIP AND NARRATIVE PRACTICES
Elena Altheman (Brazil)1,2
1 - Universidade de São Paulo; 2 - Concordia University
09:30
10:30
Session 7D
Room S.11
Ruth Hayes
(SAS2019-11064) - VISUALIZING MICROBIAL SEASCAPES: A CASE STUDY OF TEACHING ANIMATION AND MARINE BIOLOGY
Ruth Hayes (United States of America)1,2
1 - The Evergreen State College; 2 - WA
Simon Von Wolkenstein
(SAS2019-11088) - LET’S GET PHYSICAL: FOSTERING HYBRID ANIMATION PRACTICES AND EMBODYING THE TANGIBLE IN ANIMATION EDUCATION
Simon Von Wolkenstein (Australia)1
1 - University of Technology, Sydney
Jessica Rutherford
(SAS2019-10699) - THEIR STORY.THEIR VOICE.THEIR WORLD: AN ANIMATION BASED LEARNING PROGRAMME FOR CHILDREN WITH FASD
Jessica Rutherford (United Kingdom)1
Timothy Jones
(SAS2019-10960) - THE ANIMATION LAB IS ALSO A PLACE: LOCALIZED IDENTITY AND INCLUSIVE LEARNING IN STUDENT-RUN COMMUNITIES OF PRACTICE
Timothy Jones (United States of America)1
1 - Robert Morris University
11:20
12:40
Session 8A
Agostinho Silva Auditorium
Nicholas Miller
(SAS2019-11050) - “ANIMATION AND ITS OTHERS: EXPRESSIVE RECIPROCITIES IN VISUAL, AURAL, AND VERBAL IMAGINATION”
Iveta Karpathyova (Canada)2; Ruth Lingford (United States of America)3; Nicholas Miller (United States of America)1
1 - Loyola University Maryland; 2 - UC Berkeley Extension and Toronto Animated Image Society; 3 - Harvard University
11:20
12:40
Session 8B
Room S.09
Debjani Mukherjee Mukherjee
(SAS2019-10964) - CHASING THE ‘ELEPHANT IN THE LIVING ROOM’: ANIMATED DOCUMENTARY AS A SOCIAL TOOL / REALISM AND THE ANIMATED DOCUMENTARY
Debjani Mukherjee Mukherjee (India)1,2
1 - Indian Institute of Technology Bombay; 2 - BOL
Jennifer Serra
(SAS2019-11063) - ANIMATED MEMORIES: THE SUBJECTIVE APPROACH OF BRAZILIAN POLITICAL HISTORY IN “TORRE”
Jennifer Serra (Brazil)1
1 - USP - University of Sao Paulo
Cristina Formenti
(SAS2019-10731) - THE ANIMATED MOCKUMENTARY, ITS MARKERS OF VERIDICTION AND THEIR EVOLUTION ACROSS TIME
Cristina Formenti (Italy)1
1 - University of Milan
Lukas Conway
(SAS2019-11074) - BUREAUCRATIC HIEROGLYPHICS: POSTAGE STAMPS AS ART, CULTURE AND HISTORY
Lukas Conway (Canada)1,2
1 - Concordia University; 2 - Mel Hoppenheim School of Cinema
11:20
12:40
Session 8C
Room S.10
Jorgelina Orfila
(SAS2019-11036) - BLANC-GATTI AND MUSICALISM: A PAINTERS’ APPROACH TO SYNESTHESIA AND ANIMATION IN THE INTERWAR PERIOD
Jorgelina Orfila (United States of America)1
1 - Texas Tech University
Dirk De Bruyn
(SAS2019-10683) - DANCING INTO ACOUSTIC SPACE
Dirk De Bruyn (Australia)1
1 - Deakin University
Sandra Annett
(SAS2019-10744) - BEING IN THE DIGITAL WORLD: EMBODIMENT IN THE WORKS OF LU YANG
Sandra Annett (Canada)1
1 - Wilfrid Laurier University
Janet Blatter
(SAS2019-10956) - SPACE JAM: HOW ANIMATORS MAKE SPACE FOR THINKING
Janet Blatter (Canada)1
11:20
12:40
Session 8D
Room S.11
Luigi Allemano
(SAS2019-11025) - TEACHING AUDIO TO ANIMATORS: RETHINKING SOUND PEDAGOGY IN CONTEMPORARY ANIMATION CURRICULA
Luigi Allemano (Canada)1
1 - Concordia University
Lisa Scoggin
(SAS2019-11096) - THE FOREIGN, THE EXOTIC, AND THE OTHER IN THE MUSIC OF _MULAN_
Lisa Scoggin (United States of America)1
Colleen Montgomery
(SAS2019-11072) - THE VOICE INSIDE SINGS A DIFFERENT SONG: THE POLITICS OF DUBBING MOANA
Colleen Montgomery (United States of America)1
1 - Rowan University
Daniel Batchelder
(SAS2019-11047) - WHAT CAN COMPARE WITH YOUR BEAUTIFUL SOUND? DISNEY'S MUSICAL UTOPIAS
Daniel Batchelder (United States of America)1,2
1 - Xavier University; 2 - University of Cincinnati
13:00
14:00
Lunch provided for fully paying delegates
14:00
15:30
Session 9A
Agostinho Silva Auditorium
Rayna Denison
(SAS2019-10953) - THE WORLDS OF ISAO TAKAHATA: ANIMATING FANTASY AND REALITY
Susan Napier (United States of America)1; Rayna Denison (United Kingdom)2; Laura Montero Plata (Spain)3
1 - Tufts University; 2 - University of East Anglia; 3 - Independent Scholar
14:00
15:30
Session 9B
Room S.09
Kamila Boháčková
(SAS2019-11075) - HAND-HELD PUPPETS: BEYOND THE LIMITS OF ANIMATION?
Kamila Boháčková (Czech Republic)1
1 - Film and TV School of Academy of Performing Arts (FAMU) in Prague
Joan Ashworth
(SAS2019-11039) - ANIMATION IS A REFUGE: ‘MIGRANTI’ DWELL IN THE STORIES OF THE MIND.
Joan Ashworth (United Kingdom)1
Andrijana Ruzic
(SAS2019-10971) - THE TIMES THEY ARE CHANGIN' - CULTURAL IDENTITIES IN THREE ANIMATED SHORTS FROM THREE EX YUGOSLAV REPUBLICS
Andrijana Ruzic (Italy)1
Eve Benhamou
(SAS2019-10704) - ANIMATED TEENAGE MINDSCAPES: ANIMATION AS SUBJECTIVE FANTASY SPACE IN CONTEMPORARY TEEN MOVIES
Eve Benhamou (United Kingdom)1
1 - University of Bristol
14:00
15:30
Session 9C
Room S.10
Annabelle Honess Roe
(SAS2019-11017) - THE (IN)VISIBLE LABOUR OF WOMEN IN GLOBAL ANIMATION
Bella Honess Roe (United Kingdom)1; Amy M. Davis (United Kingdom)2; Caroline Ruddell (United Kingdom)3
1 - University of Surrey; 2 - University of Hull; 3 - Brunel University
14:00
15:30
Session 9D
Room S.11
Andy Buchanan
(SAS2019-11002) - PANTA RHEI (EVERYTHING FLOWS) – ANIMATION AND THE PHILOSOPHY OF HERACLITUS.
Andy Buchanan (United States of America)1
1 - Purdue University
August Volden Skara
(SAS2019-11011) - DEVELOPING AN ALTERNATIVE PROCESS FOR BRINGING THE AESTHETICS OF STOP FRAME ANIMATION INTO VIRTUAL REALITY DEVELOPMENT INTERFACES
August Volden Skara (Norway)1
Richard Leskosky
(SAS2019-11099) - A QUICK TRIP TO THE LABORATORY AND POOF!: CHEMICALLY INDUCED TRANSFORMATIONS IN AMERICAN THEATRICAL CARTOONS
Richard Leskosky (United States of America)1
1 - University of Illinois at Urbana-Champaign (retired)
15:45
SAS annual meeting
Aud. Pessoa Vaz
17:00
Closing ceremony
Agostinho Silva Auditorium
SPECIAL EVENT
Awarding of Honorary Doctorship to Prof. Giannalberto Bendazzi
19:00
Farewell drinks and light buffet
Museu Bordalo Pinheiro
for registered delegates only.
Bordalo (1846-1905) was a Portuguese artist whose work ranges from illustration to ceramics. His cartoon and illustration collection is a must-see for all comics/graphic novel lovers. Free tours for small SAS group visitors every day (times TBC).
Updated on:
26/06/2019 14:24:36
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